ROAR, Published by Paper Tiger Television in Associations with The Wexner Center for the Arts; Catalogue for Paper Tiger Anniversary; 1991.
Braderman, Joan.“The Fugue of Art.” The Village Voice Literary Supplement no. 68. October, 1986.
Braderman, Joan. “A Review and Some Modest Proposals.” Women and the Cinema: A Critical Anthology. Quarterly
Review of Film Studies. Ed. K, Karyn. Vol. 3 #4. Fall 1978.
Braderman, Joan. “Video in the Academy: Dead or Alive.” American Film Institute National Video Festival Catalogue. 1987.
**Braderman, Joan. “Trying to Reprogram Television Viewers.” Union News. Thursday, October 19th, 1999.
Braderman, Joan. “Asia: Japan; Peasants of the Second Fortress.” Show Us Life: Toward a History and Aesthetics of the Committed Documentary. Edited by Thomas Waugh. The Scarecrow Press, Inc, Metuchen, N.J. and London. 1984. Print.
Revolutionary Films/Chicago ‘76. Chicago Tribune.
Film Center at the School of the Art Institute. The Chicago Art Institute Film Catalogue.
Arthur, Paul and Braderman, Joan. “The Warriors Through the Turnstile of Ideology and Power” Catalyst: A Journal of Social Work.
Braderman was also a co-founder of/and editor/writer for: Heresies, A Feminist Publication on Art and Politics
Arts Fuse; 2012
Wall Street Journal's Market Watch; 2012
Telegraph 21; Interview & Review; 2012
The F Word; Interview & Review; London, UK; 2012
Our Evening with Joan: JOAN SEES STARS; Philadelphia City Paper;
A Tribute to Joan Braderman; Northampton Film and Video Festival; Northampton, MA; 1996
Catalogue; George Fifield, Curator, Media Arts, Video Space at the De Cordova Museum; December-January 1994-95
Week’s Best--London Film Theater; Time Out; London; December 1993
The Hair of the Dog That Bit Us: Theory in Recent Feminist Art; Christine Tamblyn in New Feminist Criticism: Art, Identity, Action; Eds, Joanna Frueh, Cassandra L. Langer & Arlene Raven; Harper-Collins, NY, 1991
Social Engagement: Women’s Video in the Eighties; Lucinda Furlong; Whitney Museum Catalogue; NYC, 1990
Decade Show catalogue; Studio Museum of Harlem; The New Museum et al; New York City; 1990
American Film Institute; OLYMPICS catalogue; article by Catherine Lord
Aperture; San Francisco; 1990
Weekend; 1990; The Guardian, London
TV or not TV; Regina Cornwell; CONTEMPORANEA, International Art magazine; Vol.II, #7; Italy; October, 1989
THIRTY SECOND SPOT RECONSIDERED Takes the Prize; Boston Globe; Boston, MA; 1989
THIRTY SECOND SPOT RECONSIDERED Review in Index on Censorship; London, UK; Jill Medvedov
In Search of the Media Monster catalogue; the Art Gallery at Cleveland State University, Ohio; 1989
The Village Voice; review of NO MORE NICE GIRLS by Amy Taubin
Best of the Whitney Biennial; JOAN DOES DYNASTY; Jim Hoberman; The Village Voice; May, 1987
WHITNEY BIENNIAL catalogue; John Hanhardt; New York City; Spring, 1987
Mother Jones Review of JOAN DOES DYNASTY
American Film, Photo; NATALIE DIDN’T DROWN; review by Peter Biskind
Arts for Television catalogue; Bob Reilly; Museum of Modern Art, NYC; 1987
NATALIE DIDN’T DROWN; American Film Institute Video Festival; catalogue; Los Angeles; 1984
Meet The Press: On Paper Tiger Television; Martha Gever; Afterimage 11, no. 4; November, 1983
Rich, B Ruby. "Women in the Director's Chair International Film & Video Festival." Review of Festival. The Chicago Reader, 10 March 1994. Digital.
Sterrit, David. "Tuning in to video as an art medium." Review of Whitney Biennial. The Christian Science Monitor, 11 June 1987. Digital.
Princenthal, Nancy. "Heretics Look Back." Review of The Heretics by Joan Braderman. Art in America, January 2010. Vol. 98 Issue 1, pg. 30.
Joan Braderman; A Video Retrospective, The De Cordova Museum Catalogue, George Fifield, Curator, Media Arts, Video Space at the De Cordova, Museum, December-January 1994-95.
Sight and Sound; review
Art in America; review by Elizabeth Hess
Ms. Braderman has also written and spoken extensively on film, video and the politics of representation.
about the work
Video Bites: Triptych for the Turn of the Century
The Incredible Shrinking Citizen
Love is the Rhythm: Subcultures of Popular Dance
Fat Girls from Hell
Natalie Didn't Drown
Telegraph 21, Interview & Review, 2012
The F Word, Interview & Review, London, UK, 2012
WGBY TV, SNAPSHOTS – JOAN BRADERMAN Series, Public Television Profile of Ms. Braderman ( 5 Min.) Produced by Dan Hunt, WGBY TV, Springfield, MA airing1994-present.